Happiness for $10.99

The Happy Islands; photo credit: Thien Zie Yung What’s the definition of happiness? Driving home from Vegas this weekend, I realized that Sin City thinks it has some answers to that question. You start seeing them when you’re still miles out from the Strip, weaving through the desert on Interstate 15. One billboard says,

Gourmet meal  $10.99

with a picture of a lobster tail spilling out of its shell. Like it's on steroids. There’s more meat on display on another one:

Treasures Gentlemen’s Club & Steakhouse

Two kinds of meat, actually. The litany of signs is endless. Like the desert.

Happiness, Vegas-style, boils down to sex, money, and, as another sign declares, “sinful food, heavenly views.”

But novelist David Malouf is thinking about something else in The Happy Life: The Search for Contentment in the Modern World (Pantheon) published earlier this year. On our trip I took along this slender but considerable book — don’t let its mere 112 pages fool you —  to one of the most (in)famous desert cities in the world.

Oh, I wasn’t trying to be some cool master ironist; I wasn’t planning on sitting in my room reading Malouf while the rest of Vegas played. I just admire Malouf’s novel Conversations at Curlow Creek, about a good talk before a good hanging, and I wanted to see what he was about in the new book. Besides, its short length seemed just right for when I wasn’t driving.

As all those billboards were sliding by and the Vegas skyline came into view, I couldn't help thinking of what Malouf says about our contemporary notion of “the good life”:

The good life as we understand it today does not raise the question of how we have lived, of moral qualities or usefulness or harm; we no longer use the phrase in that way. The good life as we understand it has to do with what we call lifestyle, with living it up in a world that offers us gifts or goodies free for the taking.

But if that isn’t happiness, then what is?

Malouf doesn’t provide a single, definitive answer — that seems impossible. Besides, as a novelist, he’s more comfortable with evoking questions and leaving readers to form their own conclusions.

He marshals a glittering assortment of figures — among them Thomas Jefferson, Plato, Montaigne, Ovid, Rubens, Rembrandt, Dostoevsky, on and on — who have offered their understanding of what “the good life” and “happiness” are. Personally, I appreciate the view of 16th century author/diplomat Henry Wotton. Of Wotton Malouf writes:

The happy life for Wotton was the life that made full use of the gifts a man had been given, that fulfilled its promise, first in action, then in days and nights of rest; life had been good to him, but he had also served it well in return....He had done what he could for the world and done no man harm.

imagesDo no harm. How many of us can say that we’ve accomplished this and made full use of our gifts?

Malouf’s provocative, searching book ends on a note that addresses technology and its ill effects on the world. The fact that technology connects us and makes us aware of the entire world separates us from the world view of the medieval peasant by a million miles. His world extended maybe as far as an hour’s walk to a market or town. That was the portion of the world he worried about — unless, of course, invading armies were spotted on the horizon.

His sense of fulfillment was more limited, and also more controllable; technology today reminds us how so much is beyond our control. Malouf puts it much better:

It isn’t a question of whether our mind can accommodate itself to new ways of seeing, to new technologies and realities that are abstract or virtual — clearly it can — but whether emotionally, psychologically, we can feel at home in a world whose dimensions so largely exceed, both in terms of the infinitely great and the infinitely small, what our bodies can keep in view...

And what do we do when that infinite view becomes too overwhelming to think about?

Well, at times like those, nothing probably makes more sense than a $10.99 lobster tail. Then the medieval peasant in us takes over and our mouths start to water. Suddenly, the world's manageable again. We're happy--temporarily. (Man, those billboard designers are philosophical geniuses.)

Poetry: More salt, please

Salt and pepper granules: credit -- Jon Sullivan Poet Michael Odom passed along a recent item from the UK edition of the Huff Post that illustrates poetry's continuing difficulties in the publishing marketplace. (Read Michael's work at Mao's Trap.) One of the big supporters of new and upcoming poets, Salt Publishing, has decided to scale back from publishing books solely devoted to a single author. Instead, they're sticking to the anthology and "best of" routes, and I get it, even though I'm not happy to hear about it. The official Salt announcement doesn't mention the business side -- anthology publishing, it says, will be used for "raising [poets'] profiles and reaching new readers" -- even though that's clearly what it's about.

The part that bugs me more is Robert Peake's response in the Huff Post blog, which I like and don't like. There's plenty to admire in his post (check it out for yourself), especially his inspiring words about the power of poetry to transform "our grey morning commute" and "[take] the top of our head off." But there's also a real defeated tone to the whole thing:

Maybe we're doomed. But we are doomed in good company--you and me--which is to say we are blessed indeed. Ask anyone. The poets always throw the best parties. They dance like they have nothing to lose, because it's true. And you and me, we've made it this far somehow, getting by, doing our thing, making life just about work.

John Keats died largely unrecognised. But ask his friends at the time, and he meant as much to them then as he does to many of us now. Do we really expect better for ourselves than the respect of a few respectable peers?

The audience is dwindling. Fine....

Really? It's fine? Yikes. I cherish Keats, but I don't think any working poet today wants to die young of consumption in some forgotten corner, right?  I understand that words are immortal, but isn't it good to stick around and belong to a community? Here are a couple of small things I'd suggest:

1) Buy poetry.  Don't just attend a poetry reading at your local bookstore: buy the book after the reading is done. Readings are about sharing and supporting each other, and if we can spend eight or nine bucks on two extra-large mochas with extra whipped cream, we can certainly invest in a chapbook of someone's observations.

2) Show some support to nonprofit and small publishers of poetry. Let them know you're out there. Here are three that I admire (the third one, by the way, keeps W.S. Merwin's works within easy reach):

Red Hen Press

Sarabande Books

Copper Canyon Press

3) Blog about the poets you've read and drop a link to their websites. Give readers a taste (and a place on the web) so that they won't have to wait for an anthology by Salt or somebody else. Let them know (along with the publishers) that you're out there and what they say is important to you.

In the comments field of this post, you're welcome to drop links to poetry publishers deserving of support. Onward, my friends.

Books, books, books: It's time to show us your shelves!

A few of my favorite things: But watch out for the gargoyle... So what's on your bookshelves? Jilanne Hoffmann and I would like to know. What you see (above) is a corner of my decent collection -- decent, but definitely not crazy. I followed a strict diet a few years ago and passed along multiple boxes of books to a very grateful local library.

photo(4)I know, this post is supposed to be about pictures, not words, but forgive me for adding just a small bit of commentary. See those three large volumes, the ones in brown and blue? They're from the Nonesuch Dickens Collection, and they reproduce Dickens' novels in the exact format, with illustrations, that Ole' Boz saw in his lifetime. There's also a signed reader's galley of "The Unknown Terrorist" by the wonderful Tasmanian novelist, Richard Flanagan. And, what bookshelf wouldn't be complete without a gargoyle? He's on guard, night and day, to protect my collection from browsers who want to become borrowers! (If any other titles intrigue you, let me know and I'll give you more information than you wanted.)

So, just to repeat, what's on your shelves? Drop Jilanne a note at her blog, or leave one for us in the comments field and send us to your page for a look!

The Dogpatch Writers Collective is already on board. We hope you'll join us, too!

Show us your shelves! Plus: Coming soon and Iain Banks

SHOW US YOUR SHELVES: A picture's worth a thousand words, and a bookshelf is probably worth even more. That's why Jilanne Hoffmann's blog and mine will be featuring  pics of our bookshelves this Saturday for your viewing pleasure. Think of it as the WordPress version of a Marvel team-up: And you're invited to join us! When you see our posts this weekend, drop a comment that will direct us to your own bookshelves. We want to spend some time as virtual loiterers in your library. What's the reason for doing this? Simple. When you go to a party at someone's house, aren't you tempted to spy what books are on their shelves? It's a hard temptation to fight. Look, even the Madonna seems a little distracted by the bookshelf in this painting:

"The Annunciation," Sebastiano Mainardi, late 15th century

COMING SOON: More from translator Andrew Frisardi about the nuts and bolts of translating Dante's "Vita Nova." Part 1 of the interview ran earlier this week; Part 2 is slated to appear ... tomorrow.

IAIN BANKS: There's nothing for me to say. It's all been said already. Earlier this week, brilliant novelist Iain Banks died mere months after announcing that he had terminal gall bladder cancer. Even though we knew it was coming, it was still a shock. It always is. Ken MacLeod offered a nice tribute in the pages of The Guardian to the singular Banks. Ave atque vale.